主题为在周围展览在名为伦敦单元的画廊举办

In The Round: Group Exhibition is on view at Unit London

画廊Unit London 很高兴能够第一次展示专门针对三维的视觉艺术的群展。主题为在周围的展览将雕塑和陶瓷媒介结合起来并展现于舞台中央，汲取了全球和跨文化的历史。人类制作雕塑物品已经有几千年的历史了，这些物品已经游走于实用、生活、宗教、文化和艺术的定义。

Unit London is excited to present its first group exhibition dedicated solely to visual art in three dimensions. In the Round places the mediums of sculpture and ceramics at center stage, drawing on a vast global and cross-cultural history. Human beings have crafted sculptural objects for many millennia, and these objects have come to slip between practical, domestic, religious, cultural and artistic definitions.

此次展览旨在对于展示这些在当代艺术世界中，可能在油画作品中扮演次要角色的各种雕塑媒介 在本次展览中却是主要角色，倡导媒介的实体性，并展示其对现代观众的持续的相关性。

The exhibition aims to showcase these diverse sculptural mediums, which have perhaps played a secondary role to works on canvas in the contemporary art world. In the Round decisively brings sculpture to the fore, championing the physicality of the medium and demonstrating its continuing pertinence for modern audiences.

从这个意义上说，此次展览颂扬了雕塑和陶瓷的流动性。 展览通过强调三维可以允许的过程和材料的自由度来质疑过去规范雕塑参数的刚性。 三维立体努力描绘雕塑材料的灵活性，这些材料可以从有触觉和可延展性的属性转变为耐用和坚固的属性，同时仍然保持运动感和灵活性。 因此，展览展示了抽象形式与日常表现之间的波动相互作用。 展览展示了多位国际艺术家的作品，每个人都有自己的语言，但又统一运用幽默和俏皮来刺激我们的感官体验，展览鼓励我们思考是否可以伸手去触摸这些物品。

In this sense, In the Round celebrates the fluidity of sculpture and ceramics. The exhibition questions the rigidity of past canonical sculptural parameters by emphasizing the freedom of process and material that three-dimensions can allow. In the Round strives to chart the flexibility of sculptural materials that can metamorphose from something tactile and malleable into something durable and solid, while still maintaining a sense of movement and mutability. The exhibition therefore displays a fluctuating interplay between abstract forms and representations of the everyday. Featuring work by multiple international artists, each with their own language yet united in employing humor and playfulness to toy with our sensory experiences, the exhibition encourages us to ponder whether we can reach out and touch these objects.

最终，这些作品探讨了我们对现实的感知以及我们与意义本身的关系。 雕塑的独特之处在于它能够在观众和艺术品之间提供真正的协作体验； 观众可以环游每一件作品。 通过这种方式，在周围，让人联想到表演和交流的概念，理解雕塑作为一种媒介的物理性质和近乎于戏剧的性质。 在周围旨在传达 3D 艺术品如何在最深层次上与我们的感官互动，尖锐地回避艺术修辞，以处理当代问题、想法和经验。

Ultimately, these works probe our perceptions of reality and our relationship to meaning itself. Sculpture is unique in its ability to provide a truly collaborative experience between viewer and art object; viewers are able to circumnavigate each piece. In this way, In the Round, conjures notions of performance and communication, understanding the physical and almost theatrical nature of sculpture as a medium. In the Round seeks to convey how three-dimensional artworks engage with our senses on the most profound level, poignantly circumventing artistic tropes in order to deal with contemporary issues, ideas and experiences.