凝固的雕塑形式只是拥抱无尽运动的一种原始方式，只有当它否认任何形式时，才能保持真正的真实。

自2020年以来，Yulia Batyrova一直与丈夫Marat Mukhametov在一起创作。Yulia和Marat作品的核心是用瓷器结合混凝土和其他媒介进行实验。他们研究的主题之一是最纯粹的思想或情感，试图捕捉无形的、迅速消失且不断变化的东西。

Yulia is united since 2020 in a creative tandem with her husband Marat Mukhametov. The core of Yulia and Marat's work is experimentation with porcelain, combined with concrete and other media. Thoughts or emotions in their purest form, an attempt to capture something intangible, rapidly escaping and constantly changing, is one of the main themes of their research.

Yulia & Marat把他们的物体看作是多个元素的运动，不断改变它们的形状。凝固的雕塑形式只是拥抱无尽运动的一种原始方式，只有当它否认任何形式时，才能保持真正的真实。Yulia & Marat追随这种运动，却不干涉它。最初的形式来自森林，不是现成的有机形式或纹理，而是声音、光、颜色、运动……有一些看不见的、超出他们模拟能力的东西在感动着他们。

Yulia & Marat see their objects as the motion of multiple elements, constantly changing their shape. The frozen sculptural form is just a primitive way to embrace endless motion, that only remains truly real while it denies any form. Yulia & Marat follow this motion without interfering with it. First forms were coming from forests, not some ready organic forms or textures, but sound, light, color, movement . . . there is something unseen and beyond their ability to simulate that moves their.

在雕塑和陶瓷的边缘，Yulia & Marat开发了自己的标志性技术，创造出看似漂浮、失重的物体，在概念上与混凝土产生互动。他们不断地对瓷器进行实验，寻找与不同系列宣言主题相匹配的元素形状和质地。混凝土和瓷器的结合讲述了人类与自然和谐相处的缺失，以及试图恢复这种和谐的无能为力。现在，追求和谐的动机以这样或那样的方式存在于Yulia & Marat所有的作品中。

On the edge of sculpture and ceramics, Yulia & Marat have developed our signature technique for creating seemingly floating, weightless objects that interact with concrete conceptually. They are constantly experimenting with porcelain, looking for the shape of elements and texture that will match the theme of the statement of different series. The combination of concrete and porcelain speaks about the human loss of harmony with nature and the infertility of attempts to restore it. Now the motive for the search for harmony is present in one way or another in all Yulia & Marat works.