Domestic News-Guozhong Ceramic Art Museum

The "Enamel High-end Intangible Cultural Heritage Talent Training Project" results report exhibition was grandly held at Guozhong Ceramic Art Museum!

On the afternoon of November 8, 2018, the "Enamel High-end Intangible Cultural Heritage Talent Training Project", supported by the Beijing Culture and Art Fund and sponsored by the Academy of Fine Arts of Tsinghua University, was held in Guozhong Ceramic Art Museum.

The leaders attending the opening ceremony of this exhibition include Zhao Chao, vice dean of the Academy of Fine Arts of Tsinghua University, Yang Zipeng, former president of the China Arts and Crafts Association, Hou Wenquan, secretary general of the China Ceramic Industry Association, Ma Pei, vice president of the China Arts and Crafts Association, and Beijing Gongmei Group Chairman Li Jie, Deputy Secretary-General Mao Zengyin of the China Arts and Crafts Association, Associate Professor Liu Tiejun, Associate Professor Yang Fan, Associate Professor Yang Peizhang, Associate Professor of the Academy of Fine Arts of Tsinghua University, Associate Professor Zhang Fuwen of the Academy of Fine Arts of Beijing University of Technology, Assistant Professor Yin Hang, and former General Manager of China Arts and Crafts Import and Export Corporation More than 80 arts and crafts experts such as manager Liu Peijin, researcher Hou Xiangxiang from the China Academy of Art and artists from all walks of life attended the event.

Zhao Chao, Associate Dean of the Academy of Fine Arts, Tsinghua University delivers a speech

Speech by Liu Tiejun, Associate Professor of the Academy of Fine Arts of Tsinghua University

Teacher Yin Hang, School of Fine Arts, Tsinghua University

Read the congratulatory letter from Beijing Culture and Art Fund

Artist representative Vonmo (万慕) personal studio

Speech by founder Li Yingzhen

Speech by Hou Wenquan, Secretary General of China Ceramic Industry Association

Speech by Ma Pei, Vice Chairman of China Arts and Crafts Association

Yang Zipeng, former president of the Chinese Arts and Crafts Society, announced the grand opening of the exhibition

The opening ceremony was by the associate professor of the Academy of Fine Arts of Tsinghua University

Liu Runfu, project leader of "Enamel High-end Intangible Cultural Heritage Talent Training" hosted

Opening ceremony scene

Group photo of guests

The enamel high-end intangible cultural heritage talent training results report exhibition is a visual feast that combines enamel tradition and innovation. Based on traditional skills, combined with modern people’s aesthetics and lifestyles, it demonstrates how the dazzling ancient enamel technology is in the modern world. The new light that blooms. It is hoped that through this report exhibition, it can promote the inheritance of traditional enamel skills and promote the development of enamel craftsmanship. On the basis of inheritance, it stimulates the young generation's in-depth understanding of traditional culture. This exhibition has received close attention from all walks of life.

Zhao Chao, Associate Dean of the Academy of Fine Arts, Tsinghua University

Have a cordial conversation with Zhao Wenmin, curator of Guozhong Ceramic Art Museum

Yang Peizhang, Associate Professor, School of Fine Arts, Tsinghua University

Discuss works with participating artists

Zhang Fuwen, Associate Professor, School of Fine Arts, Beijing University of Technology

Communicate with participating artists

Assistant Professor Yin Hang of the Academy of Fine Arts of Tsinghua University communicates with participating artists

Exhibition site

Participating artists introduce their works to guests

Participating artists are interviewed

Seminar

At 15:00 pm on November 8, 2018, the seminar kicked off with the theme of "Inheritance and Passage"-"Enamel's present and future". The academic chair was an associate professor at the Academy of Fine Arts of Tsinghua University and the training of high-end intangible cultural heritage talents of Enamel The project leader Liu Runfu served as the project leader.

Seminar scene

Liu Peijin, the former manager of the head office of China Handicrafts Import and Export Corporation, emphasized that traditional enamel should be closely connected with the times, and aesthetic elements such as enamel modeling and decoration should be closely connected with consumption of the times.

Zhang Fuwen, an associate professor at the School of Fine Arts of Beijing University of Technology, cited specific cases of Japanese metal craftsmanship, and pointed out that the division of enamel craftsmanship and the contradiction between craftsmanship and aesthetics formed by the innovative design of enamels is a problem that contemporary metal craftsmen should pay attention to.

Liu Tiejun, an associate professor at the Academy of Fine Arts of Tsinghua University, emphasized the organic integration of practicality, culture, contemporaryness and artistry from the perspective of design.

Hou Xiangxiang, a researcher at the Chinese Academy of Arts, started from rectifying the name of arts and crafts, and emphasized that innovation is a social practice, and social practice itself has far-reaching exploratory significance.

Yang Fan, an associate professor at the Academy of Fine Arts of Tsinghua University, believes that one of the important ways of design education is to understand the design methods, and to effectively master the design methods and methods can promote the healthy development of enamel design.

Mao Zengyin, Deputy Secretary-General of the Chinese Arts and Crafts Society, emphasized the importance of establishing a scientific research system from the perspective of the Arts and Crafts Society. At the same time, he pointed out that guiding the collecting field to pay attention to enamel collection will increase the collection's awareness of enamel art.

Liang Rensheng, a professor at the Academy of Fine Arts of Tsinghua University, believes that there must be my teacher for three people, and apprenticeship with awe is the cornerstone of traditional craftsmanship.

Jin Yutian, a master of arts and crafts in Beijing and the successor of Jin's cloisonné, emphasized that artists engaged in traditional enamel craftsmanship must have a solid technical foundation, based on traditional craftsmanship, to inherit the craftsmanship soul of enamel.

Yang Peizhang, an associate professor at the Academy of Fine Arts of Tsinghua University, emphasized the relationship between modeling, decoration, and materials in the teaching of enamel design, especially emphasizing that the weakness of modern enamel craftsmanship is modeling ability, which is an urgent problem of inheritance.

Yin Hang, an assistant professor at the Academy of Fine Arts of Tsinghua University, proposed that more attention should be paid to theoretical thinking. The beautiful emotions should be discovered in life, and the beautiful emotions should be accumulated, and then rise to his own professional theoretical thinking.

Participating artist Ouyang Qiu expressed her artistic persistence

Participating artist Ma Weisheng expressed that as the third generation of enamel art heirs, his father's devotion to enamel craftsmanship has been cherished for generations.

Participating artist Li Yingzhen believes that technology and craftsmanship coexist. We must be both a qualified artist and a scientist brave enough to explore.

Participating artist Fu Lili believes that copying tradition is destroying tradition, and jumping out of traditional forms is the call of the times.

The participating artist Gao Yunyan believes that if great skill is clumsy, arts and crafts artists start with skill and enhance their emotions.

Participating artist Lu Lu emphasized that as a first-line traditional enamel educator, growing up with newcomers is the expectation and dream of the future.

Participating artist Gu Jianwei expressed that the artistic accumulation of generations of ancestors has brought me more possibilities for artistic exploration, and I look forward to releasing myself sooner.

Part of the exhibits